EVERYONE HAS A DIFFERENT BRUSHSTROKE

I have heard many times that as an artist I was "born with this talent" but growing up I never thought I could draw at all. But if I remember correctly, I pushed myself to learn how to draw and paint; I trained my eye to see colors in all things. It wasn't easy for me, I was a terrible artist and I had to learn to use contrast and push myself to use the proper techniques. That is what got me to where I am today as an artist, not magically having this skill.

For some people I do think that art is simply apart of their blood. It's a talent and a passion they are born with. But I think for every artist there is a challenge to it, no one can get away without some struggle. I may not have been born with the skills but I was born with the passion and the eyes to see things differently.

I have always been jealous of those who can just sit there and draw something beautiful and create it out of thin air. I can't do that, but that doesn't mean I am less of an artist. Every artist is born with that creative passion which drives them to become the artist they are.

Something I had noticed while reading an Art History book is that artists often times really admire other artists' work. Now this isn't in a competition idea but in a kind of... jealous idea. As artists we have skills in a very specific sense; we are either sculptors, painters, designers, draw-ers? and sometimes these skills can overlap. But in a broader sense you never really see painters like Mondrian painting figures or portraits. Everyone is kind of stuck in their certain style of creating. I've had many great cartoonists tell me they'd love to be able to draw realistically but they simply can't.

Maybe just maybe every artist are born with some sort of skill: the skill of a specific style. Whether or not they waste their entire career wishing they were a fantastical Hyper-Realism painter instead of an Impressionist, it doesn't matter because the connection that everyone has with a certain style is special. You just understand why and how it flows better than any other genre and sometimes you may never fully understand why a giant blue shape hanging on the wall is considered art, but you may not just say it aloud...

Overall art is different for everyone, it is a personal growth and experience and no one is alike.  We comprehend things differently, we can have different meanings and opinions, and of course our flow of creating will always be different. So don't waste your time wishing you had the talents of someone else, your talents and passion are unique to you and once you find them and acknowledge them they will grow and develop. Let others inspire you, but don't wish to have what they have.

ARE TEENAGERS THE NEWEST SURREALIST PHOTOGRAPHERS?

Have you been keeping up with what is going on in the art world? Possibly not. Possibly yes. Either way have any of you noticed the new trend of young teenagers becoming famous over their surreal photographs? Maybe it is because they are learning more Photoshop in school than cursive, maybe it's because TV Shows are now a lot more creative and surreal than ever, or maybe the internet is just allowing us to see their success a lot easier.

Two photographers, both 15, have been brought to my attention recently: David Uzochukwu and Zev Hoover. One has an eye for deeply moving and emotion photography and the other has great talents at seeing things as fantasy and surreal. We will start with David Uzochukwu, a Belgium-based photographer who has been taking photographs since he was 10 (so 5 years).

Uzochukwu is able to put a moving story and meaning behind such simple images. He doesn't push things too far and slam you over the head with the meaning, but he does slam you over the head with the emotional reaction you will get from looking at his pieces. He has said "I love to tell stories and to convey certain feelings and emotions in an image. What really intrigues me is that photography—like all other art forms—can be so universal that you can be touched by a picture that someone else has created. Furthermore you can make the images in your head become reality. This amazes me again and again."

 

 Another 15 year old photographer, Zev Hoover attains a different sort of surrealistic photography. Hoover has been taking photographs since he was 8 (so for 7 years) and he is based out of Massachusetts. The fantasy elements of his photos really feel like you are reading a classic fairytale. The soft images are very skillfully edited to seem strangely realistic.

Hoover describes, "What's really cool about shooting my pictures is that it's a totally different world: Kids sitting on acorns; rafts made of popsicle sticks; floating down a stream on a playing card. I like putting my eye near the ground because you see a totally different world when you are thinking from the point of view of something smaller than you."

Both of these talents kids were on Flickr's 20 Under 20 List, which I suggest checking out because of amazingly talented, skilled, and mature these kids are. But don't let it get you down that you weren't a recognized photographer before the age of 20, keep letting your passion for art push you into the life you desire.

David Uzochukwu: http://www.daviduzochukwu.com/

Zev Hoover: https://www.flickr.com/photos/fiddleoak/

Flickr's 20 Under 20: https://www.flickr.com/20under20

BEAUTY IN DESTRUCTION

Recently at the Hirschhorn Museum in Washington D.C. they held an exhibit about destruction. Everything on that level of the museum was extremely obviously about destruction. But, majority of those pieces of art lacked something beautiful.

Yes, the artists were trying to get their point across about the destruction and how drawing it, photographing it, making a sculpture to represent it, creating a video showing the destruction of an object, or even having a performance piece all about destroying something beautiful can be a necessary and beautiful act or even leave a beautiful mess. But something that I have found over and over again that I just clumped into this same pile of beautiful destruction was the actual act of creating something more beautiful by destroying something.

Not sure if everyone who reads this will completely understand but I find a very large difference between the two (well not very large difference, but a difference still). Let me try and give some examples...

Monika Sosnowska, Stairway, metal and PVC handrail, 2010, 222.4 x 98.4 inches

This sculpture by Monika Sosnowska titled "Stairway" might just be a destroyed staircase, but the actual final product of the crumpled up staircase compared to the before of a typical spiral staircase seems so much more aesthetically pleasing and beautiful. In connection to the destruction theme, yes this definitely can apply for both themes especially once reading her statement: "Monika Sosnowska was inspired by an emergency staircase, built in 1971 at ‘The Museum of History of Tel Aviv’, which she discovered during a residency in Israel in 2008. She documented the stairwell with a photograph, just before its deconstruction. This image creates the point of departure for her own fabricated interpretation of the found architectural object by removing it from its original functionality through dismantling, twisting and squeezing the main elements. By changing the stairway’s direction Sosnowska challenges our perception. She captures the site, abstracts and freezes the space and creates an optical illusion leading our gaze upwards the spiral." But, she takes the destruction of this piece even further when she flips it upside down, it's not just a destroyed staircase anymore it's a piece of art.

Ted Basdevant, mixed media, 2014

Another artist that I found on Tumblr was Ted Basdevant. This work really caught my eye for the exact reason I was trying to explain above: this photograph might be a great photograph, but once he added the destruction aspect of the paint/ink it goes beyond just an image and creates a beautiful piece of art. Not only does the entire mood and attitude of the piece change with the destruction aspect but it changes the meaning. It isn't just a girl posing anymore, it's this hidden creature now and we need to start asking more of the "why?" questions. (Which in my opinion is what makes great art, art.)

Interestingly enough we find that photographers gravitate towards destruction more than any other form of artist, maybe because gorgeous photographs of landscapes have already been done (and done well... I mean come on Ansel Adams). Therefore photographers have to find some sort of beautiful twist on the world that can either document something that is now completely apart of our lives or make up their own destroyed version of reality (through either Photoshop or sculpture). One example is Michel Le Belhomme who creates these beautiful sculptures or environments and photographs them. I would post some of his photographs here but they are copyrighted to him so go check out "The Blind Beast" series (http://www.phmuseum.com/michellebelhomme/series/the-blind-beast). Now whether or not he was going for the beautiful destruction theme he nailed it.

As artists we find beauty in everything, so it makes sense when we can look at something that is completely destroyed and still thing there is something cool about it. I want to backtrack a little bit and say that there still is great beauty in looking at something that was once beautiful and now is a broken mess on the ground and yes it does speak widely about us as humans. So in either aspect of literally creating the beautiful from the destroyed or seeing the beauty in something destroyed, I applaud us as artists for finding the silver lining and being in awe of things that most people would run and hide from.

Citations:
Monika Sosnowska - http://www.capitainpetzel.de/exhibitions/stairway/

PROCESS IS ART

As artists we're aware that a crucial part of creating the work is actually creating the work, the process. For some artists the process is the only concept and the end product can be whatever it is. But for others the process simply the journey to the final product. This got me thinking about how we are trained to think in today's world.

Growing up the most important part was the grade on the test. It wasn't about what you learned as much as how that one letter could prove to the world that you studied well this time. The studying part was the torture, no one liked studying. But studying was the process to getting that final product that we all really desired.

This can go into other things as well, like shopping. Everyone shops. But rarely does a person actually go and think "Hey I bet these chips (or beer or really ANYTHING) were made in a really interesting factory..." The process isn't important at all, but the end product is all that matters. (Some people like to make their own food or beer or chairs and that's great. Seriously, we need more people willing to create their own items.) But have you actually been to a factory that makes potato chips? or a Brewery? It's AMAZING.

Sadly, I think most people don't really care how something is made and they only care about the end result. These people will never be artists, or understand the thought process of an artist. The process is what gives the final result meaning. Yes, sometimes when we are creating something we think of this amazing end product and that's all we want to achieve. But we forget that sometimes the human parts, or the little mistakes and tweaks that we get while struggling to make it how we want make it give the result that extra hint of amazing.

So what do I think? I think we all should take a trip and visit a nearby factory and go on a tour. It doesn't even matter what it is, just figure out how exactly this thing is made and the precision and labor that goes into it. You'd be surprised how many factories actually host tours and a lot of them are free. Visit www.factorytoursusa.com or just google it. (TIP: Beer breweries sometimes give out free samples)

Let this experience allow you to see things differently and appreciate the process a little more.

ALLOW YOURSELF TO BE INSPIRED BY CHAIRS

Recently everywhere I turn people have been talking about their Dream Boards and other similar things. Now, I don't know much about Pinterest, I already have a Tumblr so why should I set up another similar account when I've already got one, plus 3 sketchbooks I use daily (soon to be 4). But I've heard it is pretty much a Dream Board at least something along those lines. Even Ron Funches on The Tonight Show starring Jimmy Fallon says he started using a Dream Board. 

Now to break it down, there are many different types of dream boards or walls or books or whatever. You can put up pictures of things you aspire to own, or you can have pictures of things you just enjoy and inspire you, OR you can have pictures of just literally anything that you find yourself liking (from a rug, to an advertisement)

As an artist I think it is key to surround yourself in what you like and allow it to always be present that way if you ever look at it differently or have it randomly catch your eye, you'll be inspired. I have so many artist prints framed and surrounding me at most times. TIP: I've found that when going to museums it's cheap to pick up a few postcards of your favorite pieces you saw there and use them as art around the house.

But most recently, while looking through an IKEA magazine, I found some things that I was drawn to visually. Yes I also do just want to buy the stuff in the image and decorate my house exactly like how they do, BUT I also found it aesthetically pleasing. Then it hit me, I liked how this particular room was designed because of it's similarity to what I want to do as an artist. The color palette was similar, the lines and it had aspects of it that I needed to put in my work. 

I know it shouldn't be surprising or innovative to think that interior design or the design of a chair or the way that this advertisement is photographed is linked to the fine arts because I mean come on, have you walked around the MoMA? There is a whole section devoted to artistic designs of furniture and I mean their stores alone have everything and anything there but somehow it's artistic... 

What I'm trying to get at is: use your sketchbook, or the walls of your house, or just a bulletin board to put up EVERYTHING you find yourself attracted to, not just the artwork. You never know what will make you see something in your work.

Related Post (with Artist References): http://artotterblog.blogspot.com/2014/03/inspiration-can-come-from-anywhere.html
Here's the Ron Funches video: https://www.youtube.com/watch?v=slrgBNOmhTI

CUTTING PAPER IS AN ART

There have been times where I've seen something posted on Tumblr of gorgeously intricate hand cut paper. And I think "Oh that's pretty cool, I bet it takes a lot of time" and that is it. I never really think about it again. Well, more recently I keep coming across these artists who cut paper and create these incredible and I mean INCREDIBLE pieces of art out of the shadows and the holes and it blows my mind. So naturally I looked more into it...

So Paper Art or Papercutting originated in China from the 6th Century Six Dynasties period called Jianzhi. They would be used as health, prosperity, or decorative purposes and would often include symbols from the color red to the Chinese Zodiac. 

Example of Jianzhi

A lot of the more notable artists to come out of the Papercutting scene were more Dutch and American artists. One you probably have heard of is Kara Walker, who creates these wondrous silhouettes confronting many issues such as race, gender, sexuality, and violence . But they don't always have to be just 2D designs, many artists in contemporary art have voyaged into 3D sculptures of paper such as artist Nahoko Kojima.

Kara Walker, Grub for Sharks: A Concession to the Negro Populace, black paper, 2004

Nahoko Kojima, Jerwood, Byako, paper, 2013

Many other artists have been working with this technique but are still trying to get their name out there are artists like Rogan Brown and Kuin Heuff. Rogan Brown is inspired by natural and minerals for his very intricate forms and Kuin starts by painting her faces and then cutting them.

Rogan Brown, Spore, paper, 2013

Kuin Heuff, Greta Heuff-Heg, acyrlic and paper, 2011

I think the whole technique and design aspects are very interesting and inspiring. The amount of effort plus a steady hand really is hard to come by today so I find it very exciting. If anyone knows of any other artists that do Papercutting then please share!! Otherwise, we can just sit and stare at these amazing works for another few hours (which I'm totally okay with).

Artist Websites:
Kara Walker: http://learn.walkerart.org/karawalker
Nahoko Kojima:  http://www.nahokokojima.com/
Kuin Heuff: http://www.kuinheuff.nl/index.php
Rogan Brown: http://roganbrown.com/home.html
Other Websites with cool Papercutting articles: 
http://www.mymodernmet.com/profiles/blogs/rogan-brown-paper-sculptures

GLITCH ART

Some of you may have heard about Glitch Art, others might not. Most of the time Glitch Art is referring to a part of the digital photographic process where the artist would edit the data/code in certain ways to create certain effects to the pixels of the image. Artists have used Glitch Art in video form and photographs. These forms then have inspired other artists of other mediums to create a similar pattern but with drawing or painting. 

So far this movement is not a major part of Contemporary Art but it has made its way into other movements. Artists like Nam June Paik have experimented with Glitch Art and similar techniques where it is nothing new. For instance in Nam June Paik's Magnet TV he places a magnet on top of an old CRT TV and gets a bend in the data. 

Nam June Paik, MagnetTV, crt tv and magnet, 1965

Currently there are conferences and groups of tech-art aficionados that get together with workshops, lectures, performances, and screenings. One is called GLI.TC/H. 

Andy Denzler is another artist who uses glitching techniques to get their unique look, except this time it's with paint. He has been working with his specific technique since 2004 and has really come a long way since then creating beautiful dreamlike paintings without getting too muddy.

Andy Denzler, Just Antother Day in Paradise III, oil on canvas, 140 x 120 cm, 2014

I know there is a lot of Glitch Art haters out there because it is such a easy process to do to photography in today's world, but there is a specific art form to it. Just like Modern are and Minimalism it has to be done correctly and with the placement and precise end product it can be something magical. But it is a process based art form where you have to experiment. I love it's end product especially when used with painting and drawing, it can become something new and exciting for the art world to move into.