CROSS HATCHING: THE DRAUGHTMAN'S FAVORITE TOOL

When I first started learning how to draw I learned about cross hatching or hatching and thought it was a way to create a neat texture while drawing. I was completely unaware of it's extreme usefulness while drawing. To start, many artists from Peter Paul Rubens to Robert Longo use cross hatching in their drawings/sketches. Although there are different types of cross hatching that an artist can use. 

Rubens was a very talented painter known for his use of brilliant reds within shadows. Many artists look to his paintings to learn about color theory and painting in general. But some go back and create copies of his sketches to learn how to render a figure well and learn basic knowledge of a figure. In this one sketch of Rubens you can see the marks are just straight lines. These lines are following the plane of each part of the skin to create darker areas as shadows. So where there are more lines there is more bends in the skin and more planes in which the skin uses. Get it?

Another few artists that use this technique very obviously and beautifully are Robert Longo, Jenny Saville and Simon Birch. This is a great skill to learn when learning about shading and rendering the figure. Many artists use this technique while copying masterpieces. Something to keep in mind while working with cross hatching or hatching is that the lines do not need to be straight, they can bend around the plane as well which allows for better rendering and following of the figure's skin. This allows a better 3 dimensional appearance to the viewer.

So if you're a new artist or an artist just needing some ideas, try cross hatching to further your skills in drawing.

Citations:
Rubens Sketch: http://www.metmuseum.org/toah/images/h2/h2_2002.12b.jpg

DEBATABLE: DIGITAL AGE

There is a lot of controversy over the seemingly super speed jump artists are making into the Digital Age. Artists who could be strong in the traditional arts methods are now jumping right into being graphic designers. 
Why? 
Well for one, people now are very impatient and not willing to put a few months into a masterpiece painting, they'd rather take a few hours or days to complete something. This takes a lot of the handiwork out of a piece. People now would pay more for a painting than a poster wouldn't they? But companies would rather have things done fast, so that leaves the artwork less personalized. 
Two, jobs are more available to people who can easily create a pamphlet that can be easily copied and distributed than make pot. Going back to the fact that we're impatient, people like things to be done and how they like now. No wasting time. When I was deciding which major I wanted to be Graphic Design or Studio Art. I didn't want to have to pick, but I ended up with Studio Art because of the process and the intimacy of creating a piece. Yes, when you finish a painting there is such a tie between pride and hatred for it. But that is only because you struggled with it and you babied it into what it finally became. I knew going into Studio Art that I wouldn't have as many job options, so, like many other students, I took digital classes as well like Digital Photography and Intro to Graphic Design. That way I am slightly ambidextrous in the art world. The basic art principles are there, it's just the process that differs.
Three, kids now aren't learned cursive so their basic hand mechanics aren't going to be able to create beautiful brushstrokes. I've heard this from many people that kids are now taking typing courses instead of cursive. I don't really understand the thought process behind it because both skills seem very important to me even if you never use cursive ever again after 4th grade. It seems obvious, but our handwriting plays a part in how we'd draw a line in a gesture drawing. Consider the fabulous movement in figures and lines in this Rubens:

Rubens, The Calydonian Boar Hunt, 1611, oil on panel

(http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=267599)
How are kids going to be able to paint a perfect new age replica of a Rubens? They won't. But they might be able to recreate a digital copy of it, or print out a copy on a 3D printer. Which seems like such a shame and like cheating in the art world. But if you are a traditional artist, then the value of your work will skyrocket and the Rubens will be worth a ton more. 

I'm not hating on the digital age. I love some of the innovation that we have been able to create. We just need to find a way to keep the more traditional arts as well, so that we don't become a lost artifact. What do you think? Keep moving forward and forget the past? Or keep trying to combine the two into beautiful 

SNOW DAYS: KEEPING THE CREATIVE MOMENTUM

Since there has been this crazy snowy weather going on and it’s been hard for some people to get to work, I’ve been thinking… What do artists do to not stop their momentum? So I want to put this out there and see what you guys do when you find that you cannot make it to your studio?

I know a lot of people just stick to their sketchbooks when they can’t get in and work on a current piece. Others might just sit around and lose the creative flow they’ve got going. But it seems like there is something else we can do instead of just sit around and wait for the snow to melt.

Some of the things I thought of were:

- Really research your artistic lineage. It’s important to realize who inspires your artwork. But diving in a bit deeper and finding who inspires them and so on can really expand your current mindset.

- Watch an art documentary. Hopefully you’ve seen most of the ART21 videos. But have you seen “Lucien Freud: Painted Life” by BBC Two? Or “Degenerate Art” which is all about the Modern movement being attacked by Hitler? There are tons, and I mean TONS, of great art films out there that are inspiring.

- Copy a Master. Research what your favorite Renaissance Painter would do to improve. Copy his mindset and his pieces (or do mini versions in a sketchbook). Really study Ruben’s use of reds and how he uses them to his advantage. Get in their brain.

- Personal Advertising. Use the day to connect with people over the various sites you promote your work on. Maybe update your artist statements or the layout of your blog.

So what about actually creating things? What can us artists do to still create when we’re not in the studio? Well… how about trying these things out:

- Photoshop. If you draw or paint from pictures, get those pictures going and start making your upcoming compositions. Have you ever tried to image your work the size of a billboard? What about Photoshopping that mock-up and see how it’d work. You could use that as an upcoming project and even figure out what it could cost. With Photoshop, or really any advanced photo editing software, the ideas and opportunities are endless.

- Trying new mediums. Let’s say you’re an oil painter. Have you ever thought about your current collection includes a few tiny watercolors to complement? Smaller pieces in general are more intimate, so maybe connecting and getting your concept across in a more sensitive manner?

These are just a few things I do whenever I can’t get to my studio. Share what you guys do and maybe we can get a real awesome list going!!

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