SELFIES VS SELF PORTRAITS

Now that I'm back, at least for a little, let's talk about something very prominent in conversations today: selfies.

The idea of a selfie isn't exactly new, it's just mainstreamed so much recently that we feel like it is new. Technology today is literally programmed to take selfies, I mean what else would a front facing camera on your phone do besides take pictures of yourself? But before we had cameras selfies were still relevant. A self portrait is the artistic term for selfie, so let's think back to some of the more aesthetically pleasing selfies...

Even though self portraits date back to some of the earliest pieces of art, they became more prominent during the Early Renaissance. This was during the mid-15th century, when mirrors became cheap enough for most people to buy. One of the earliest self portraits is thought to be by Jan Van Eyck's Portrait of a Man in a Turban painted in 1433. Even though it cannot be proven that it is a self portrait.

Jan Van Eyck, Portrait of a Man in a Turban, 1433, oil on panel, National Gallery, London

Sometimes artists when they would paint mythical or religious scenes would put commoners' faces or their own in as some of the many background people. If you think about this in a Contemporary manner, they are in a way Photoshopping a selfie of themselves into an image of their favorite story, which is really quite humorous.

The first prolific self-portraitist, or selfie obsessed artist was Albrecht Durer. His most well known self portrait being his Christ-like selfie when he was 28.

Albrecht Durer, Self Portrait in a Fur-Collared Robe, 1500, oil on linden wood, Alte Pinakothek

However one of the most well known artists to create numerous self portraits was Vincent van Gogh. Vincent created over 35 self portraits in his time, many after he cut off his ear. One of my personal favorites it this self portrait:

Vincent van Gogh, Self-Portrait, 1890, oil on canvas, Musee D'Orsay, Paris

In a way these self portraits/selfies are very important in the development of artists over time not only because it is a way to work with a cheaper model but also because it shows their specific style as well as show their face (when most people are generally not aware of what artists actually look like but just know them by their name and most famous works). Artists can go on without anyone knowing who they are, which is good and bad. They should be recognized for their beautiful pieces and the viewers should be aware that a person did it instead of some anonymous artistic machine.

I've always had a personal interest in self portraits and find it very intriguing how artists portray themselves.  I suggest looking up artists and seeing if they have self-portraits, most Contemporary artists don't seem to do selfies (which is ironic) but many 18th Century and the centuries preceding have many artists that do.

I'm curious as to what other people think and why Contemporary artists don't create as many selfies as before, let me know by leaving a comment or tweeting at me!!

PAINTING: SKIN TONES

Painting has a lot of amazing qualities about it from the color, detail, size, and subject matter. One of the things that amazes me the most about paintings is how artists' portray skin tones. There is such a variety of ways to portray a person and the tones of their skin can set the whole mood of a painting. Now, paintings during the Neoclassicism and before used basic skin tones. For instance:

Anton Raphael Mengs, Perseus and Andromeda, oil on canvas, 1774-9, Germany

(http://www.arthermitage.org/Anton-Raphael-Mengs/Perseus-and-Andromeda.html)
Notice the skin tones used are probably mixes of white, pink, Indian yellow, Naples yellow, burnt umber. Nothing too drastic besides the reds or slight purple tones. 
Now compare this to later artists like Vincent van Gogh: 

Self Portrait of Vincent van Gogh, oil on canvas, 1888

(http://www.theguardian.com/artanddesign/2010/aug/21/vincent-van-gogh-painting-stolen-cairo)
As you can see during the Impressionism movement artists begin to see colors in shadows of skin tones. van Gogh includes brilliant colors like Alizarin Crimson and Prussian Blue. When I first was learning to see colors in shadows, it was like a whole different world before me. I never would have noticed how colorful a corner of a white room could be. 

One of my favorite artists, Lucian Freud (grandson of Sigmund Freud), used color in a more natural sense even if there are still purples and blues. Although, he often got criticized for having lifeless looking paintings because of the colors he used as well as the Cremnitz white that makes a unique texture.

Leigh Bowery, Lucian Freud, oil on canvas, 1991

(https://www.tate.org.uk/art/artworks/freud-leigh-bowery-t06834)
Now there are still lots of differences between the colors these painters use and how they apply them. But I do think the simple idea of seeing colors in places you wouldn't definitely is important in becoming an artist or appreciating pieces of art. Try it out!