New Years is always a fresh start to begin again and try and improve yourself and your bad habits from the previous year. Every year people choose impossible resolutions and end up forgetting about them or just give up after a few weeks or even days. Each year we even try to make them easier and try so hard to keep them. Why is it so hard to keep our goals? How about this year we help each other?
GET A BUDDY.
Not only will you have yourself to remind you to work on your New Years Resolution but someone else to either remind you or to work with you to achieve the same goal. This way you can push each other (and have someone to blame other that yourself when you don't accomplish your goal) I also suggest keeping notes or reminders everywhere to really keep you focused (Post-Its, phone reminders, locking yourself out of a certain room until you are done each day).
Now, what are some of the best New Years Resolutions for Artists that are maintainable?
I asked my many Twitter followers this question and got nothing in response so we'll just have to figure it out ourselves.
Artists are dedicated to their work. We just need to promise ourselves to work on those things we struggle with so here is a great list of things to use for New Years Resolutions:
1. Using your sketchbook... DAILY. Yes that means meaningless sketches or writing or playing around with new materials EVERYDAY. That shouldn't be too too bad, just set off a half an hour everyday and open your sketchbook and do something, anything.
2. Create an actual piece of artwork once a week. Using your mindless sketching or experiments and create something full fledged and finished. It doesn't matter if it turns out terrible since it is only for you. It'll keep your mind in the creating mode and it'll help you figure out the kinks of what works and what doesn't.
3. Take in a commission. One of the best things I could've done was accept a request for a commission of a genre of art I don't find I am the strongest in. Now I don't suggest it to everyone because it is stressful and it is always better to accept a commission of something you will work confidently in, but for those who want to challenge themselves do it. Even if it is just a Birthday gift for someone that you are commissioning yourself to do, just share your art.
THIS website has 10 pretty good New Years Resolutions for Artists that I suggest checking out.
But MOST IMPORTANTLY DO NOT COMPARE YOURSELF TO ANY OTHER ARTIST, THE WHOLE POINT OF HAVING A NEW YEARS RESOLUTION IS TO DEVELOP YOUR SKILLS MORE. If you are having a hard time check out this older post about it.
Showing posts with label tips. Show all posts
Showing posts with label tips. Show all posts
Tuesday, January 6, 2015
Monday, February 17, 2014
PAINTING: SKIN TONES
Painting has a lot of amazing qualities about it from the color, detail, size, and subject matter. One of the things that amazes me the most about paintings is how artists' portray skin tones. There is such a variety of ways to portray a person and the tones of their skin can set the whole mood of a painting. Now, paintings during the Neoclassicism and before used basic skin tones. For instance:
(http://www.arthermitage.org/Anton-Raphael-Mengs/Perseus-and-Andromeda.html)
Notice the skin tones used are probably mixes of white, pink, Indian yellow, Naples yellow, burnt umber. Nothing too drastic besides the reds or slight purple tones.
Now compare this to later artists like Vincent van Gogh:
(http://www.theguardian.com/artanddesign/2010/aug/21/vincent-van-gogh-painting-stolen-cairo)
As you can see during the Impressionism movement artists begin to see colors in shadows of skin tones. van Gogh includes brilliant colors like Alizarin Crimson and Prussian Blue. When I first was learning to see colors in shadows, it was like a whole different world before me. I never would have noticed how colorful a corner of a white room could be.
One of my favorite artists, Lucian Freud (grandson of Sigmund Freud), used color in a more natural sense even if there are still purples and blues. Although, he often got criticized for having lifeless looking paintings because of the colors he used as well as the Cremnitz white that makes a unique texture.
(https://www.tate.org.uk/art/artworks/freud-leigh-bowery-t06834)
Now there are still lots of differences between the colors these painters use and how they apply them. But I do think the simple idea of seeing colors in places you wouldn't definitely is important in becoming an artist or appreciating pieces of art. Try it out!
 |
| Anton Raphael Mengs, Perseus and Andromeda, oil on canvas, 1774-9, Germany |
Notice the skin tones used are probably mixes of white, pink, Indian yellow, Naples yellow, burnt umber. Nothing too drastic besides the reds or slight purple tones.
Now compare this to later artists like Vincent van Gogh:
 |
| Self Portrait of Vincent van Gogh, oil on canvas, 1888 |
As you can see during the Impressionism movement artists begin to see colors in shadows of skin tones. van Gogh includes brilliant colors like Alizarin Crimson and Prussian Blue. When I first was learning to see colors in shadows, it was like a whole different world before me. I never would have noticed how colorful a corner of a white room could be.
One of my favorite artists, Lucian Freud (grandson of Sigmund Freud), used color in a more natural sense even if there are still purples and blues. Although, he often got criticized for having lifeless looking paintings because of the colors he used as well as the Cremnitz white that makes a unique texture.
 |
| Leigh Bowery, Lucian Freud, oil on canvas, 1991 |
Now there are still lots of differences between the colors these painters use and how they apply them. But I do think the simple idea of seeing colors in places you wouldn't definitely is important in becoming an artist or appreciating pieces of art. Try it out!
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