WOMEN IN ART: ELAINE DE KOONING

Many of you have heard of Willem de Kooning, the widely known Abstract Expressionist Painter. But not many of you have heard of his wife, Elaine de Kooning, Figurative Expressionist Painter. Being very active in the Abstract Expressionist movement in the early 20th Century, Elaine de Kooning was a member of the Eighth Street Club in New York City, which rarely gave memberships to women. Especially during the Abstract Expressionist movement, women were not valued as much as their male counterparts. Which led Elaine de Kooning to sign her works with her initials, to prevent being labeled as feminine.

Elaine de Kooning, Fairfield Porter, 1954, oil on canvas

So a little about Elaine de Kooning's art career: As a figurative artist, de Kooning often painted portraits. Her subjects were mainly fellow artists from poets to choreographers, however she did paint John F. Kennedy as well. In fact, Elaine de Kooning kept painting JFK and made an entire series of portraits of him, one of which is in the National Portrait Gallery in Washington D.C. "Portraiture always fascinated me because I love the particular gesture of a particular expression or stance... Working on the figure, I wanted paint to sweep through as feelings sweep through..." You can tell in her work as well that there is a lot of color and heavy influence from other abstract expressionist artists at this time including her husband Willem.

Elaine de Kooning, Thomas B. Hess, 1956, oil on canvas

Elaine de Kooning in her Manhattan studio in 1964. She is with her John F. Kennedy series of paintings

Later in her life Elaine de Kooning was inspired by paleolithic cave paintings of Lascaux in France and Altamira in Spain. Which really shows her knowledge of color, movement, and line through abstract representative imagery.

Elaine de Kooning, Bull, 1958, oil on canvas, New York University Art Collection

Besides being a painter, Elaine de Kooning was also a writer and wrote from Art News magazine, writing many articles about famous artists. She also taught in many colleges later on in her life. Truly an intelligent and iconic female artist, Elaine de Kooning sadly gets overshadowed by her husband Willem de Kooning. But her work is very crucial to the Abstract Expressionist movement and Art History and should not be ignored.

WOMEN IN ART: ANNA ATKINS

Some of you may have noticed that the other day (March 16th) Google had a Doodle celebrating Anna Atkin's 216th Birthday. She was a botanist and a photographer using her photographic techniques to document and study many different plants.
First learning of photogenic drawing and calotypes through the inventor, William Henry Fox Talbot and her husband's friend. Herself and Constance Talbot, William Henry Fox Talbot's wife, are known as the first women photographers. She was able to learn about cyanotypes through her husbands friendship with Sir John Herschel, who invented the cyanotype in 1842. After learning the process, Atkins created many photograms of dried algae and then created a book of her studies and photograms in 1843. This book is known to be the first book to have photographic images, even though it was privately published and not many copies were made. Less than a year later Talbot created his book "The Pencil of Nature" which is the first commercially published book to be illustrated with  photographs.

Title Page of Anna Atkins "Photographs of British Algae: Cyanotype Impressions", 1843, cyanotype photogram, Spencer Collection/ Stephen A. Schwarzman Building, NY Public Library

Introduction of Anna Atkins "Photographs of British Algae: Cyanotype Impressions", 1843, cyanotype photogram, Spencer Collection/ Stephen A. Schwarzman Building, NY Public Library

Cystoseria granulata, Anna Atkins "Photographs of British Algae: Cyanotype Impressions", 1843, cyanotype photogram, Spencer Collection/ Stephen A. Schwarzman Building, NY Public Library

Atkins went on to create two more volumes of "Photographs of British Algae: Cyanotype Impressions" and in the 1850s collaborated with Anne Dixon to create more cyanotype books: "Cyanotypes of British and Foreign Ferns" (1853), "Cyanotypes of British and Foreign Flowering Plants and Ferns" (1854). In addition to the photographic books she also wrote many books, without photograms, of her studies.

Poppy, Anna Atkins "Cyanotypes of British and Foreign Flowering Plants and Ferns", about 1854, cyanotype photogra, Victoria and Albert Museum, London

I've written a previous post about Dark Room Photography and how important it is, so check it out if you're curious: link here. But I never fully described what cyanotypes are. So here's a detailed description:
-First you mix together equal volumes of a photosensitive solution of 8.1% potassium ferricyanide and 20% ferric ammonium citrate.
-Then you brush it evenly on a natural fibered cloth/paper. And set to dry in a dark room.
-A positive image will be produced when the emulsion covered paper is shown to UV light (sunlight or UV fluorescent lights) with a negative image laying straight on the emulsion. This is called a contact print because the negative and the emulsion must be in flat contact to avoid any blurriness.
-Once the image is a steely blue/gray then you take it out from under the light and wash it in a water bath washing off the yellow iron that was reduced by the UV.
-After you wash off the iron you can wash the print in another bath of water and a splash of 3% hydrogen peroxide which darkens the blues of the print.
-These prints can also be toned after they're dried through tea, bleach, and wine among other things.

You can find many scans of her cyanotypes online and the actual pages and scans across London.

WOMEN IN ART: ALICE NEEL

Throughout my education and while visiting various museums and shows I've had a chance to see many paintings by Alice Neel. Yet, up until now I haven't actually learned about her as an artist. To start, Alice Neel was an American Portrait Painter. But her life wasn't easy, she struggled and broke barriers as a female artist.
Born in 1900, Neel was taught that she wouldn't make an impact in the world because she was a woman. But she went on to pursue her art career and she took classes in art and eventually enrolled in Art School. While in school she met her husband Carlos Enriquez and she moved to Hanava with him learning more about Cuban avant-garde arts. When in this situation Alice Neel began to take her stance in political consciousness and equality for women.

Alice Neel in her studio in Harlem, 1944

A year later Alice and Carlos had a daughter, Santillana, who died a year later from diphtheria. The lose of her daughter was so strong that she portrayed themes of lose, motherhood, and anxiety in her paintings. Not long after the loss of Santillana, Neel had a second child, Isabella Lillian, in New York City. After her birth, Neel painted "Well Baby Clinic" which more resembles mothers and babies in an insane asylum than in a maternity ward. And a few year after that Carlos took Isabetta back to Cuba and in reaction to the lose of her husband and daughter, Neel broke down and was hospitalized and attempted suicide.

Alice Neel, Well Baby Clinic, 1928, oil on canvas, Private Collection

At about this time it was the Depression Era, Alice was lucky to work for the Works Progress Administration and was hired to make paintings. During this time she was seeing heroin addict and sailor, Kenneth Doolittle who set fire to 350 of her watercolors, paintings and drawings a few years later.

Alice Neel, Kenneth Dolittle, 1931, oil on canvas, Tate Modern, London

She then began to surround herself with artists, intellectuals, and political leaders for the Communist Party, who she also painted. This allowed her to become a well known and respected artist. She gave birth to another child, Richard, of her lover Jose Santiago moving to Spanish Harlem and painting her neighbors.

Alice Neel, The Spanish Family, 1943, oil on canvas, Private Collection

After Jose left she gave birth to another son, Hartley, of her lover community intellectual, Sam Brody. As for her art career, she was illustrating for Masses & Mainstream but her work for the Works Progress Administration stopped soon after leading to Alice Neel having to struggle to make ends meet. In the end of the 1960s, Neel's work gained interest because of the Women's Movement which led to Neel becoming an icon for many feminists. She became of celebrity status when she was awarded with a National Women's Caucus for Art award by President Jimmy Carter.

Alice Neel's painting of Kate Millett for the cover of TIME Magazine, August 31 1970

Alice Neel, Andy Warhol, 1970, oil on canvas, Whitney Museum, New York

Alice Neel's Website has tons of information about her life and her work: www.aliceneel.com

A WHOLE MUSEUM DEDICATED TO WOMEN

In Washington D.C. there is a museum called the National Museum of Women in the Arts. This museum has been around since 1987 and promotes women not only in the past but also the current strong women artists of today. Their mission: "The National Museum of Women in the Arts brings recognition to the achievements of women artists of all periods and nationalities by exhibiting, preserving, acquiring, and researching art by women and by teaching the public about their accomplishments."
The NMWA is located in the heart of Washington D.C. and is in a gorgeous "Renaissance Revival" style building. This building holds over 4,000 works from the Renaissance to Contemporary all by women.

Great Hall and Mezzanine taken by Tom Field

But enough of the advertising, which I don't get paid for anyways, this is one of the few museums that is fully dedicated to women. By that I mean that this museum began by two women who were simply art historians collecting art. It then grew into this non-profit statement for women. It's not just any museum it's renown and has many advocates. This is a large support for women in the art world. This is a place to be seen and to be comfortable. It's definitely a place to visit if you're ever in Washington D.C.

Citations:
http://www.nmwa.org/

WOMEN IN ART: JUDY CHICAGO

If you've never heard of Judy Chicago you cannot call yourself a fan of Feminist Art. She created one of the most influential and important pieces of art in Feminist Art History. The Dinner Party is her claim to fame in 1979 and will keep people talking for many years to come. If you still have no idea, then keep reading.

The Dinner Party is an installation piece of art which included 39 place settings for historical or mythological women. Even though it has toured continents, it is now permanently based in the Brooklyn Museum, New York. 

Judy Chicago, The Dinner Party, 1974-1979, ceramic, porcelain and textile, Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. Photo: © Aislinn Weidele for Polshek Partnership Architects

One of the most amazing things about this piece is that the floor is made of white triangular tiles with 999 notable women inscribed, this is called the Heritage Floor. "Chicago states that the criteria for a woman's name being included in the floor were one or more of the following:

1. She had made a worthwhile contribution to society
2. She had tried to improve the lot of other women
3. Her life and work had illuminated significant aspects of women's history
4. She had provided a role model for a more egalitarian future."

The women that have place settings range from three time periods: Prehistory to the Roman Empire, Beginnings of Christianity to the Reformation, and American to the Women's Revolution. 

Judy Chicago, The Dinner Party (Hildegarde of Bingen place setting), 1974–79. Mixed media: ceramic, porcelain, textile. Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. Photograph by Jook Leung Photography

Judy Chicago (American, b. 1939). The Dinner Party (Margaret Sanger place setting), 1974–79. Mixed media: ceramic, porcelain, textile. Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. Photograph by Jook Leung Photography

 Each of the separate table settings have a "vagina butterfly" theme to them. This alone has created both criticism and praise. People still feel uncomfortable about this and they vocalize their thoughts. While others find it very empowering and amazing and fully support the forward thinking. It's amazing to think that this piece can still cause great controversy even though it came out 35 years ago.
What's your opinion?

Citations:
Image: http://www.brooklynmuseum.org/exhibitions/dinner_party/
Quotes: Chicago, Judy. The Dinner Party: From Creation to Preservation. London: Merrell (2007) , Heritage panels , page 289.
Information: https://en.wikipedia.org/wiki/The_Dinner_Party#cite_note-Chicago_2007-5

WOMEN IN ART: HELEN FRANKENTHALER

Many women did not consider themselves feminists by being a woman artist, but they were. The sad fact that simply following your passion could have made you a feminist is weird to think about in today's world. But it still very much a part of society, we owe it to some of the women who unknowingly started a strong movement. One of these women was Helen Frankenthaler.

Helen Frankenthaler was an Abstract Expressionist Painter and was a large contributor to the postwar American painting society. Her first piece to launch her career was Mountains and Sea.

Helen Frankenthaler, Mountains and Sea, 1952, oil and charcoal on canvas

This piece was pretty different for the viewers because of a few things; for one the colors look like they would be watercolor, but instead they are oil, which is surprising. Another thing is that she worked on unprimed (and unstretched!) canvas which allows the paints to seep into the canvas creating what is considered a "soak stain". Another artist who not only influenced her work greatly but also used the soak stain technique was Jackson Pollock.

Helen Frankenthaler, A Green Thought in a Green Shade, 1981, oil on canvas

Helen Frankenthaler, Nature Abhors a Vaccum, 1973, oil on canvas

"A really good picture looks as if it's happened at once. It's an immediate image. For my own work, when a picture looks labored and overworked, and you can read in it—well, she did this and then she did that, and then she did that—there is something in it that has not got to do with beautiful art to me. And I usually throw these out, though I think very often it takes ten of those over-labored efforts to produce one really beautiful wrist motion that is synchronized with your head and heart, and you have it, and therefore it looks as if it were born in a minute." In Barbara Rose, Frankenthaler

Citations:
Mountians and Sea: http://artchive.com/artchive/F/frankenthaler/frankenthaler_mtns.jpg.html
A Green Thought in a Green Shade: https://paintingowu.wordpress.com/tag/helen-frankenthaler/
Nature Abhors a Vaccum: http://www.nytimes.com/2011/12/28/arts/helen-frankenthaler-abstract-painter-dies-at-83.html?pagewanted=all
Info: https://en.wikipedia.org/wiki/Helen_Frankenthaler#Influences

WOMEN IN ART: GEORGIA O'KEEFFE

I've had a few people ask me why I've been doing posts about women recently. It's March so it's Women's History Month! Why not support the amazing women who have helped move our art world forward?

One amazing woman who really changed art of the 20th Century is Georgia O'Keeffe. Not only was she was married to a man who was the Founder of Modern Photography in America, Alfred Stieglitz, but she also was an inspiring naturalist painter. She started off being a landscape painter and once she got more well known, because of Stieglitz's Gallery, she began painting flowers in a sexual and dynamic manner. 

Georgia O'Keeffe, Red Canna, oil on canvas, 1926

Georgia O'Keeffe, Jack in the Pulpit No. IV, oil on canvas, 1930

Later in her life she went to New Mexico and was extremely inspired by the nature she found. There is a relation to her flower paintings in the skies of her newer landscapes and paintings. Her main style is abstract nature, where one can easily find the nature inspiration there still are twists to application of color by using blocking.

Georgia O'Keeffe, Cow's Skull: Red, White, and Blue, oil on canvas, 1931

"When you take a flower in your hand, and really look at it, it's your world from the moment. I want to give world to someone else." -Georgia O'Keeffe
O'Keeffe was able to paint to such a wide audience which allowed her to have a large following. Her work is widely renown and will continue to influence artists today.

Citations:
http://www.wikipaintings.org/en/georgia-o-keeffe/jack-in-the-pulpit-no-iv
http://www.biography.com/people/georgia-okeeffe-9427684
http://www.pbs.org/wnet/americanmasters/episodes/georgia-okeeffe/about-the-painter/55/
http://www.metmuseum.org/toah/hd/geok/hd_geok.htm
http://www.metmuseum.org/toah/works-of-art/52.203

WOMEN IN ART: MARY CASSATT

A very widely known American woman artist is Mary Cassatt. I remember learning about her when I was still in elementary school. She was born around Pittsburgh, PA and moved closer to Philadelphia for her childhood but then lived most of her adult life in France (where she became friends with Edgar Degas). At a young age she traveled around Europe and was able to go to Paris World's Fair in 1855 to see many many amazing artists (Ingres, Delacroix, Courbet, Corot). This is where she began her first artistic impulses even though her family didn't support her becoming a professional artist.

Eventually she moved to Europe and was a huge part of the Impressionist Movement. She studied under many artists and became friends with Degas who greatly influenced her work. "Degas had considerable influence on Cassatt. She became extremely proficient in the use of pastels, eventually creating many of her most important works in this medium. Degas also introduced her to copper engraving, of which he was a recognized master, which strengthened her control of line and overall draftsmanship. She became the subject in his series of etchings recording their trips to the Louvre. They worked side-by-side for awhile, and she gained considerably from his technique and knowledge."

Mary Cassatt, Little Girl in a Blue Armchair, 1878

Here's another one of her pieces that set her in the Impressionist movement:

Mary Cassatt, Summertime

Later on in her career she began to become influenced by Japanese drawings, like many artists had, and so her works became more illustrative. With great simplicity and blocks of color she was able to create a beautiful collection of aquatints.

Mary Cassatt, The Coiffure (study)

She was a great and prolific painter of her time and was rubbing elbows with the best of the best. Mary Cassatt's work has sold millions of dollars and she is highly influential and original. Whether you enjoy her Japanese influenced aquatints, her super Impressionist paintings, or her Degas inspired pastel drawings she is a one-of-a-kind artist that is necessary in Art History.

Citations:
All information and pictures were found at www.marycassatt.org